Generative AI and the Artwork of Disruptive Innovation

Generative AI and the Artwork of Disruptive Innovation

Lecture: Generative AI and the Art of Disruptive Innovation

Emily L. Spratt

PhD Princeton University, History of Artwork Postdoctorate Columbia College, Data Science Institute

  Art Historian, Facts Scientist, Strategic Advisor

Clayton Christensen’s concept of disruptive innovation mostly defines the new tech overall economy, however there has been very little consideration of its relation to apps of emerging technologies these as generative synthetic intelligence in the arts. In this presentation, the notion of disruptive innovation and the rapid growth of AI will be explored through an assessment of artworks and resourceful tasks that convey considerable aspects of their technological means of manufacturing. When technological disruption as an aesthetic has spurred an inescapable cultural and entrepreneurial revolution, should really innovation for the function of innovation supplant the pursuit of invention out of necessity? Has ars gratia artis succumbed to a world-wide impulse toward know-how for the sake of know-how? By consequence, what are the ethical issues involved with utilizing AI for resourceful purposes? To remedy these queries, present-day artworks this kind of as all those by Julie Mehretu, Mario Klingemann, Refik Anadol, and Trevor Jones will be mentioned as unforeseen autos via which to take into account the changing techniques to innovation in today’s new tech financial system. Analyzed jointly, art and AI give surprising insights into the intercontinental regulatory frameworks of emerging systems and possible routes for navigating their ever more intricate coverage landscape.

Time will be allotted for Q&A.

This function will be held in-individual at the historic Whittemore Dwelling at Dupont Circle.

Dr. Emily L. Spratt is an artwork historian, technologist, and strategic advisor based mostly in New York City, where by she is school at The Cooper Union for the Improvement of Science and Artwork. She acquired her doctorate in artwork heritage from Princeton College and completed her article-doctorate on art and synthetic intelligence at Columbia College in the Knowledge Science Institute. Identified for her broad-ranging scholarship on the background of artwork, Byzantium and the Venetian Renaissance, cultural heritage preservation, gastronomy, utilized laptop or computer eyesight science, the ethics of emerging technology, and artwork tech, Dr. Spratt has been described as a multi-area pioneer and a chief in device studying for the arts, the ethics of details science, and the creative-tech sector. Dr. Spratt served as an expert guide for the AI-impressed film Fellini Ahead that premiered at the 78th Venice Global Film Competition. In 2019, she was invited by the office of President Emmanuel Macron to curate Au-delà du Terroir, Over and above AI Art for the World Discussion board on AI for Humanity. She has collaborated with the chef Alain Passard and established The Gastronomic Algorithms, the success of which she revealed in an posting with MIT Push. In Frankfurt and Los Angeles, she curated Unhuman: Art in the Age of AI (2017), which was the to start with exhibition of its kind to use deep finding out tactics to produce art with the AICAN algorithm. In addition, Dr. Spratt has been the strategic advisor of the blockchain-centered artwork sector enterprise Artory, the significant technological innovation advisor of The Frick Assortment and Artwork Reference Library, and the artwork and tech guide at Sotheby’s Institute of Art in New York. She also holds advisory roles with the Artificial Intelligence Finance Institute, Exponential Influence, Moral Tech at Duke University, See.Me, and Princeton, and has been the receiver of a lot of global fellowships and awards. Dr. Spratt’s insights have been sought by media stores these kinds of as the Washington Publish, Agence France-Presse, CBC, and CBS Information.

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